turtledaa.blogg.se

Finally, as more people have access to the means for theoretical and cultural broadcasting, it is urged that the online left uses that access to build a real life cultural and political movement. Taking in the phenomena of QAnon, twitch streaming, and memes it argues that the dichotomy between culture and political praxis is a false one. In examining their thoughts and drawing parallels with Fisher's Capitalist Realism, The Memeing of Mark Fisher aims to render the Frankfurt School as an incisive theoretical toolbox for the post-Covid digital age. In the aftermath, this book revisits the main Frankfurt School theorists, Adorno, Horkheimer, Benjamin and Marcuse, who worked in the shadow of World War Two, during the rise of the culture industry. This depression was brought about not just by Covid isolation, but by the digital economy, fueled by social media and the meme. We witnessed a depression, not economically speaking, but in the psychological sense: A clinical depression of and by society itself.

Spring 2020 to 2021 was the year that did not take place. The Frankfurt School meets Fisher in this critique of capitalism incorporating memes, mental illness and psychedelia into a proposed counterculture. He hosts the podcast Theorywave Nights.Product Name: Memeing of Mark Fisher, The - How the Frankfurt School Foresaw Capitalist Realism and What To Do About It Mike Watson is a theorist, critic and curator who is principally focused on the relationship between culture, new media and politics. Mike Watson speaks to Pierre d’Alancaisez about Mark Fisher’s legacy in critical online spaces, the democracy of memes and their aesthetic warfare, the Acid Left, and how the Frankfurt School thinkers foreshadowed our current moment. As more people have access to the means for theoretical and critical engagement online, he urges the online left to build a real-life cultural and political movement. Taking in the phenomena of QAnon, twitch streaming, and memes, Watson argues that the dichotomy between culture and political praxis is a false one. In examining their thoughts and drawing parallels with Fisher’s Capitalist Realism, Watson aims to render the Frankfurt School as an incisive theoretical toolbox for the post-Covid digital age. In the aftermath, The Memeing of Mark Fisher revisits the Frankfurt School theorists who worked in the shadow of World War Two, during the rise of the culture industry.

Mike Watson picks up Fisher’s prognosis when the locked-down pandemic world is mired in a depression that is economic and psychological, and no doubt exacerbated by the transfer of culture and life online.

One of Fisher’s insights, widely taken up by the online memesphere, was that capitalism breeds depression. Through his blog K-Punk, Mark Fisher become one of the cult figures of cultural theory after the economic crash of 2008.